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The Unwanted: The Secret Windrush Files (2019) #1200
DOCUMENTARY
Main
1 hour. BBC. David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making. The film features Sarah O’Connor, Anthony Bryan and Judy Griffith. Settled here legally since childhood, they were re-classified as illegal immigrants by new ‘hostile environment’ regulations. Unable to show proof of their nationality status, they lost jobs, savings and their health, facing deportation back to countries they could barely remember. David reveals how today’s scandal is rooted in the secrets of the past. The first Windrush generation were Commonwealth citizens - many of them ex-servicemen - coming to rebuild war-torn Britain. Yet even before arriving, they were seen by the Government with hostility. Civil servants and MPs warned of dire consequences if what they called a ‘coloured element’ was introduced into the UK. PM Clement Attlee even suggested diverting the Windrush passengers to east Africa - to pick peanuts. The same government was actively recruiting tens of thousands of white volunteer workers from Europe - some of them former members of Waffen-SS regiments which stood accused of war crimes on the Eastern Front - for ‘permanent settlement here with a view to their inter-marrying and complete absorption into our own working population’. The files expose how successive British governments spent the next decade trying to devise a way to prevent further Caribbean arrivals without appearing to discriminate against them. PM Winston Churchill, dissatisfied with ministers’ response to what he saw as a serious problem, kept the issue on the cabinet agenda and a special Working Party was set up to gather information to make the political case for immigration controls. Two weeks after the Queen’s coronation as head of the UK and Commonwealth, a secret race survey was undertaken and completed, looking for proof that Commonwealth immigrants were a burden on the Welfare State. Chief constables in major cities were asked if ‘the coloured community as a whole, or particular sections of it, are generally idle or poor workmen’, and if they were ‘addicted to drug-trafficking or other types of crime’. The Working Party found no evidence for the view that the ‘coloured community’ was less law-abiding or hard working than other Brits. When Harold Macmillan’s government introduced the 1962 Immigration Act, its control mechanism was the employment prospects of would-be immigrants. The files show how home secretary ‘Rab’ Butler, described the ‘great merit’ of the scheme was that it ‘can be presented as making no distinction on grounds of race or colour’, but would, in practice, ‘operate on coloured people almost exclusively’. By that time, Caribbean immigration had shrunk to a fraction of earlier levels. But, fearing further restrictions, the Windrush generation now arranged for their children to come. The ‘children of the Windrush' had full legal rights to join their parents in the UK, and many arrived with little paperwork or official record keeping. Successive governments passed new immigration and nationality legislation, often in response to perceived ‘problems’ or ‘crises’. Harold Wilson rushed through the 1968 Immigration Act, in just three days to stop arrivals of thousands of passport-holding British-Indians living in Kenya, whose businesses and livelihoods were threatened by its government. Edward Heath’s 1971 Act tried to restrict the legal definition of ‘Britishness’. It also placed the burden of proof on the claimant should their Britishness be challenged—a fateful clause for the ‘children of the Windrush’. Throughout the multiple changes to immigration and nationality law enacted up to 2014, the nationality status of the ‘children of Windrush’ remained unchanged and unchallenged. As British citizens with full legal rights to live here, they put down roots, pursued careers, raised children and grandchildren and contributed in ways great and small to the creation of modern Britain. But with the introduction of the so-called ‘hostile environment’ legislation of 2014 and 2016, their situation changed. Though they were never the intended targets of the new laws, the hostile environment machine that evolved over the decade wasn’t designed to make allowances. Suddenly required to prove their status (due to the 1971 Act), Sarah, Anthony and Judy found themselves unable to show the levels of proof demanded by the new ‘hostile environment’ regulations. All three lost their jobs for up to two years and ran up debt trying to make ends meet. Anthony was arrested twice by Immigration Officers and held for weeks in detention centres. Then a ticket was bought to deport him to Jamaica, a country hadn’t seen since he left, aged eight, in 1965. ‘They broke me in there’, Anthony says. ‘It was hard’. Judy Griffith, still struggling to repay her debts, says: ‘It makes you question the whole, what is British? What is Britishness?’ |
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Einstein's Quantum Riddle (2019) #1321
DOCUMENTARY
Special
1 hour. BBC. Einstein’s Quantum Riddle tells the remarkable story of perhaps the strangest phenomenon in science – quantum entanglement. It’s a story of mind-bending concepts and brilliant experiments, which lead us to a profound new understanding of reality. At the start of the 20th century Albert Einstein helped usher in quantum mechanics - a revolutionary description of the behaviour of tiny particles. But he soon became uncomfortable with the counterintuitive ideas at the heart of the theory. He hunted for flaws in the equations and eventually discovered that they predicted a seemingly impossible situation. Quantum theory suggested you could have two particles, which had interacted in the past, and even if you separated them by millions of miles they would somehow act in unison. If you measured one, forcing it to take on one of many properties, the other would instantly take on a corresponding property. Like rolling two dice, millions of miles apart, and as you look at one to see what number it landed on, the other instantly shows the same number. This bizarre prediction of magically connected particles became known as quantum entanglement. Einstein felt it couldn’t possibly be real – it seemed to break the rules of space and time. In 1935, with two of his colleagues, he published a paper that argued that this bizarre phenomenon implied the equations of quantum theory must be incomplete. No-one could think of a way to test whether Einstein was right, until in 1964, John Bell, a physicist form Northern Ireland, published an astonishing paper. He’d found a key difference between Einstein’s ideas and those of quantum theory. It all boiled down to entanglement. As Professor David Kaiser puts it: ‘We now know this was one of the most significant articles in the history of physics. Not just the history of 20th-century physics; in the history of the field as a whole.’ In 1972 John Clauser and Stuart Freedman built an experiment based on John Bell’s work and found the first experimental evidence to suggest that quantum entanglement really is a part of the natural world. Today, a technological revolution is under way, with labs around the world harnessing entanglement to create powerful new technologies such as quantum computers. At Google’s quantum computing lab in Santa Barbara, researcher Marissa Giustina describes their latest quantum-processing chip. And in Shanghai, at the University of Science and Technology, Professor Jian-Wei Pan explains that his team is working to send entangled particles from a satellite to a ground station to create totally secure communication links – a major step towards the creation of an unhackable ‘quantum internet’ of the future based on quantum entanglement. Yet despite this progress, questions still remain about our experimental proof of entanglement. There are possible loopholes that could mean that entanglement may be an illusion and that Einstein was right all along. At the Roque de los Muchachos Observatory in the Canary Islands, Professor Anton Zeilinger’s team is attempting a remarkable experiment to rule out the most challenging loophole. Their experiment uses two of Europe’s largest telescopes to collect light from two quasars, billions of light years away, to control intricate measurements of tiny quantum particles and put quantum entanglement to the ultimate test. |
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Pinocchio (2019) #1364
FILM
Main
Directed by Matteo Garrone. With Federico Ielapi, Roberto Benigni, Rocco Papaleo, Massimo Ceccherini. Old woodcarver Geppetto's puppet creation, Pinocchio, magically comes to life with dreams of becoming a real boy. Easily led astray, Pinocchio tumbles from one misadventure to another as he is tricked, kidnapped and chased by bandits. Literary Analysis Some literary analysts have described Pinocchio as an epic hero. Like many Western literary heroes, such as Odysseus, Pinocchio descends into hell; he also experiences rebirth through metamorphosis, a common motif in fantasy literature. Before writing Pinocchio, Collodi wrote a number of didactic children's stories for the then-recently unified Italy, including a series about an unruly boy who undergoes humiliating experiences while traveling the country, titled Viaggio per l'Italia di Giannettino ('Little Johnny's voyage through Italy'). Throughout Pinocchio, Collodi chastises Pinocchio for his lack of moral fiber and his persistent rejection of responsibility and desire for fun. The structure of the story of Pinocchio follows that of the folktales of peasants who venture out into the world but are naïvely unprepared for what they find, and get into ridiculous situations. At the time of the writing of the book (1883), this was a serious problem, arising partly from the industrialization of Italy, which led to a growing need for reliable labour in the cities; the problem was exacerbated by similar, more or less simultaneous, demands for labour in the industrialization of other countries. One major effect was the emigration of much of the Italian peasantry to cities and to foreign countries such as the United States. The main imperatives demanded of Pinocchio are to work, be good, and study. And in the end Pinocchio's willingness to provide for his father and devote himself to these things transforms him into a real boy with modern comforts. |
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Civilisations (2018) #1099
DOCUMENTARY
Special
9x1 hour. BBC. Civilisations is an epic new series spanning 31 countries on six continents, and covering more than 500 works of art. Presenters SIMON SCHAMA, MARY BEARD and DAVID OLUSOGA will explore humanity's desire to create. Alongside, the Civilisations Festival will bring museums' treasures to life through innovative digital products and events. 1/9 Second Moment of Creation. A look at the formative role art and imagination have played in the forging of humanity. 2/9 How Do We Look? Professor Mary Beard explores images of the human body in ancient art. 3/9 Picturing Paradise. Simon Schama explores one of our deepest artistic urges - the depiction of nature. 4/9 The Eye of Faith. Professor Mary Beard broaches the controversial topic of religion and art. 5/9 The Triumph of Art. Simon Schama examines how traditions developed in the years following the Renaissances. 6/9 First Contact. David Olusoga shows how art was always on the frontline when distant cultures met. 7/9 Radiance. Simon Schama starts his meditation on colour and civilisation in Amiens and Chartres. 8/9 The Cult of Progress. David Olusoga explores the artistic reaction to imperialism in the 19th century. 9/9 The Vital Spark. Simon Schama explores the fate of art in the machine and profit-driven world. |
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The Young Person's Guide to the Orchestra - Benjamin Britten (2018) #1173
DOCUMENTARY-MUSIC
Main
1 hour. BBC. Discovering...Series 1 Episode 2 of 4 Benjamin Britten’s The Young Person’s Guide to the Orchestra (1945) is one of the most frequently performed works of any British composer. It has introduced and enlivened the interest of whole generations of children in the instruments of the orchestra, in thrilling style. It is, however, much more than an instruction manual for youngsters. Now a classic of the concert hall, it is frequently performed to children and adults alike. Katie Derham presents a detailed analysis of the composition, and the story behind its creation, before it is performed in full by the BBC National Orchestra of Wales with guest conductor Moritz Gnann in Cardiff’s Hoddinott Hall. Orchestra members explain to Katie how Britten drew on the past for themes and techniques, and reapplied them in a twentieth-century context to show off each instrument in captivating fashion. Through interviews and archive Katie learns how the piece was commissioned for a Ministry of Education film during a post-war Britain filled with the optimism and promise of building a new world that would provide high culture for all - a central tenet of Britten’s own approach; to write music that is ‘useful, and to the living’. The film demonstrates how Britten takes the orchestra apart, allowing each instrument its own variation on Henry Purcell’s theme of 250 years earlier. Through the performance we see how the 13 variations get to the essence of each instrument’s characteristics, showing each section of the orchestra at its individual best. |
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Lucy Worsley: Elizabeth I's Battle for God's Music (2017) #1041
DOCUMENTARY
Main
1 hour. BBC. Lucy Worsley investigates the story of the most remarkable creation from the tumultuous and violent era known as the Reformation - choral evensong. Henry VIII loved religious music, but he loved power more - when he instigated his English Reformation he dramatically split from the ancient Catholic church that controlled much of his country. But in doing so set into motion changes that would fundamentally transform the religious music he loved. Following Elizabeth I's personal story, Lucy recounts how she and her two siblings were shaped by the changes their father instigated. Elizabeth witnessed both her radically puritan brother Edward bring church music to the very brink of destruction and the terrifying reversals made by her sister Mary - which saw her thrown in the Tower of London forced to beg for her life. When Elizabeth finally took power she was determined to find a religious compromise - she resurrected the Protestant religion of her brother, but kept the music of her beloved father - music that she too adored. And it was in the evocative service of choral evensong that her ideas about religious music found their ultimate expression. |
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Professor Marston and the Wonder Women (2017) #1115
FILM
Main
Directed by Angela Robinson. With Luke Evans, Rebecca Hall, Bella Heathcote, Connie Britton. The story of psychologist William Moulton Marston, and his polyamorous relationship with his wife and their mistress who would inspire his creation of the superheroine, Wonder Woman. |
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Goodbye Christopher Robin (2017) #1130
FILM
Main
Directed by Simon Curtis. With Domhnall Gleeson, Margot Robbie, Kelly Macdonald, Vicki Pepperdine. A behind-the-scenes look at the life of author A.A. Milne and the creation of the Winnie the Pooh stories inspired by his son C.R. Milne. |
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Imagine: Antony Gormley: Being Human (2015) #891
DOCUMENTARY
Main
70 mins. BBC. Alan Yentob meets sculptor Antony Gormley, creator of the iconic Angel of the North, and uncovers the influences that have shaped his life and work. Across a career spanning more than 40 years, Gormley has used sculpture as a means to examine the human condition. He explains how his strict Catholic childhood and his subsequent search for enlightenment in India influenced his decision to become a sculptor. 'If you are brought up a Catholic you may lose your Catholicism but the fact is it has marked you for life. And the need to replace its belief system with something else becomes your life's work.' Imagine shows rare archive footage of the creation of Gormley's key works, including the sculptor being fully encased in plaster to create casts of his own body, as well as footage of the installation of the Angel of the North. We also follow exhibitions this year in Paris, Florence and on Lundy Island. |
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Sound of Song (2015) #910
DOCUMENTARY
Main
3x1 hour episodes. BBC. Composer and musician Neil Brand presents a series which explores the magical elements that come together to create our favourite songs. 1/3 The Recording Revolution. How songs were first recorded and the listening revolution in the home that followed. 2/3 Reeling and Rocking. Neil Brand recreates innovative recording sessions by the likes of Elvis and the Beatles. 3/3 Mix It Up and Start Again. In the modern era, song creation was transformed by digital technology and the computer. |
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University Challenge (2012) #721
DOCUMENTARY
Main
Episode containing Lego recreations of top films - used in Christmas Quiz. |
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Les Mis at 25 (2012) #732
DOCUMENTARY
Main
1 hour. BBC. Les Miserables is the world's best-loved musical. It has been seen by 57 million people and in 2010 celebrated its 25th anniversary with its two largest ever productions at London's O2 Arena. Matt Lucas, a lifelong fan of 'Les Mis', was invited to fulfil his dream of performing in these shows alongside more than 300 stalwarts from previous productions. This documentary tells the story of a musical that many thought would fail, but which became a worldwide phenomenon with unforgettable songs like I Dreamed A Dream. We follow Matt as he prepares for the performance of a lifetime, we hear from those involved with the show's creation, including Cameron Mackintosh and Michael Ball, and of course we enjoy wonderful moments from the show itself. |
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Les Mis at 25 (2012) #1347
DOCUMENTARY
Main
1 hour. BBC. Les Miserables is the world's best-loved musical. It has been seen by 57 million people and in 2010 celebrated its 25th anniversary with its two largest ever productions at London's O2 Arena. Matt Lucas, a lifelong fan of 'Les Mis', was invited to fulfil his dream of performing in these shows alongside more than 300 stalwarts from previous productions. This documentary tells the story of a musical that many thought would fail, but which became a worldwide phenomenon with unforgettable songs like I Dreamed A Dream. We follow Matt as he prepares for the performance of a lifetime, we hear from those involved with the show's creation, including Cameron Mackintosh and Michael Ball, and of course we enjoy wonderful moments from the show itself. Better quality than the poor 732. |
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Horizon: What Happened Before the Big Bang? (2010) #688
DOCUMENTARY
Main
They are the biggest questions that science can possibly ask: where did everything in our universe come from? How did it all begin? For nearly a hundred years, we thought we had the answer - a big bang some 14 billion years ago. But now some scientists believe that was not really the beginning. Our universe may have had a life before this violent moment of creation. Horizon takes the ultimate trip into the unknown to explore a dizzying world of cosmic bounces, rips and multiple universes, and finds out what happened before the big bang. |
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Creation (2009) #1
FILM
Main
Directed by Jon Amiel. With Paul Bettany, Jennifer Connelly, Ian Kelly, Guy Henry. Torn between faith and science, and suffering hallucinations, English naturalist Charles Darwin struggles to complete 'On the Origin of Species' and maintain his relationship with his wife. |
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In Search of History: Frankenstein (1997) #1118
DOCUMENTARY
Main
42 mins. The History Channel. It is the most famous monster in literature. The enduring creation of Mary Shelley has appeared in countless films and books since it was dreamed up by the 20 year old wife of the famed poet Percy Shelley. But is it possible that the story of the grotesque monster assembled from the parts of cadavers is rooted in the truth? FRANKENSTEIN investigates the true stories of two men who may be at the heart of the classic tale. First, travel to the castle near Frankfurt where an 18th century German doctor conducted gruesome experiments on corpses and live humans! There are startling parallels between what is known of his experiments and Shelley's tale. Another possible source is the work of amateur British scientist Andrew Crosse, who claimed to have generated life in the course of electrical experiments. He was silenced by a religious outcry against his god-like claim, but is his story at the heart of Frankenstein? |
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The Ascent of Man (1973) #1490
DOCUMENTARY
Special
The Ascent of Man is a 13-part British documentary television series produced by the BBC and Time-Life Films first broadcast in 1973. It was written and presented by British mathematician and historian of science Jacob Bronowski, who also authored a book adaptation. Intended as a series of "personal view" documentaries in the manner of Kenneth Clark's 1969 series Civilisation, the series received acclaim for Bronowski's highly informed but eloquently simple analysis, his long, elegant monologues, and its extensive location shoots. The programme began broadcasting on BBC2 at 9 pm on Saturday, 5 May 1973 and was released in the US 7 January 1975. 01 Lower than the Angels - Evolution of humans from proto-ape to the modern form 400,000 years ago. 02 The Harvest of the Seasons - Early human migration, agriculture and the first settlements, and war. 03 The Grain in the Stone - Tools, and the development of architecture and sculpture. 04 The Hidden Structure - Fire, metals and alchemy. 05 Music of the Spheres - The language of numbers and mathematics. 06 The Starry Messenger - Galileo's universe - and the implications of his trial on the shift to "northern" science. 07 The Majestic Clockwork - Explores Newton and Einstein's laws. 08 The Drive for Power - The Industrial Revolution and the effect on everyday life. 09 The Ladder of Creation - Darwin and Wallace's ideas on the origin of species. 10 World within World - The story of the periodic table - and of the atom. 11 Knowledge or Certainty - Physics and the clash of the pursuit of absolute vs. imperfect knowledge, and the misgivings of the scientists realising the terrible outcome of the conflict. Auschwitz. Hiroshima and Nagasaki. 12 Generation upon Generation - The joys of life, sex and genetics and the dark side of cloning. 13 The Long Childhood - Bronowski's treatise on the commitment of humanity. |
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Trafic (1971) #1590
FILM
Main,Disk
1h 36m Mr. Hulot drives a recreational vehicle from Paris to Amsterdam in his usual comical, disastrous style. |